GCB Kunstlexikon
SAM FRANCIS
KUNSTWERKE SAM FRANCIS
Sam Francis |1923-1994 | Color Field Painting | Lyrical Abstraction | American | YouTube | Samuel Lewis Francis was an American painter and printmaker. Sam Francis was born in San Mateo, California, the son of Katherine Lewis Francis and Samuel Augustus Francis, Sr. The 1935 death of his mother, who had encouraged his interest in music affected him deeply, but he later developed a strong bond with his stepmother, Virginia Peterson Francis. Francis served in the United States Air Force during World War II before being injured during test flight maneuvers. He was in the hospital for several years, and it was while there, after being visited by artist David Park in 1945, that he began to paint. Once out of the hospital he returned to Berkeley, this time to study art. He received both his BA degree (1949) and MA degree (1950) from University of California, Berkeley, where he studied botany, medicine and psychology. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. He later became loosely associated with a second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. He spent the 1950s in Paris, having his first exhibition there at the Galerie Nina Dausset in 1952. ] While in Paris he became associated with Tachisme, and had his work championed by art critics Michel Tapié and Claude Duthuit ( the son-in-law of the painter Henri Matisse). Between 1950 and 1958 Francis spent time and painted in Paris, the south of France, Tokyo, Mexico City, Bern and New York. His artistic development was affected by his exposure to French modern painting, Asian culture and Zen Buddhism in particular. His paintings of the 1950s evolved through a series of stages, beginning with monochromatic abstractions, followed by larger richly-colored murals and "open" paintings that feature large areas of whiteness. After his 1953 painting "Big Red" was included in the 1956 exhibition "Twelve Artists" at the Museum of Modern Art, New York, Francis began a rapid rise to international prominence. Francis painted large murals for the Kunsthalle, Basel in 1956-8 and for the Chase Manhattan Bank, New York in 1959. Between 1960 and 1963 he created several series of works, including the "Blue Balls" series. Consisting of biomorphic predominantly blue forms and drips, these works referenced the pain that resulted from the renal tuberculosis that he suffered in 1961. Francis returned to California during the 1960s and continued painting, mainly in Los Angeles, but also in Tokyo where he lived primarily in 1973-4. In 1965 Francis started a series of paintings that featured large areas of open canvas, minimal color and strong line.[3] His work evolved further after he began intensive Jungian analysis with Dr. James Kirsch in 1971 and began paying careful attention to his dreams and the unconscious images they suggested. Francis‘ works of the early 1970s have been referred to as Fresh Air pictures. Created by adding pools, drips and splatters of color to wet bands of paint applied with a roller, these works re-asserted the artist’s interest in color. By 1973–4 many of Francis‘ paintings featured a formal grid or matrix made up of crossing tracks of color. Many of these matrix works were large in scale, measuring up to twenty feet long | YouTube
VIDEO | FILM SAM FRANCIS
Sam Francis | Eine Retrospektive | Bonn 1993 | YouTube | A beautiful retrospective of the work of Sam Francis in Bonn, Germany 1993 | YouTube
Sam Francis | Gallery Delaive | YouTube | Sam Francis painting in his studio in Venice | YouTube
BIOGRAFIE SAM FRANCIS
GEBURTSJAHR 1923 | GEBURTSORT San Mateo, Kalifornien, USA | TODESJAHR 1994 | STERBEORT Santa Monica, Kalifornien, USA
1957 Weltreise u.a. nach Indien, Thailand und Japan
1962 Umzug nach Santa Monica, Kalifornien
1963 Einrichtung eines Ateliers in Venice
1987 Gründung Sam Francis Medical Research Center, welches Ursachenforschung bei Krankheiten betreibt, die durch Umweltschädigungen entstehen
Sam Francis war fünfmal verheiratet
AUSBILDUNG SAM FRANCIS
1941 – 1943 Studium der Botanik, Medizin und Psychologie an der University of California in Berkeley
1948 – 1950 Studium der Kunstgeschichte und der Malerei an der University of California in Berkeley bei Mark Rothko und Clyfford Still
1948 – 1950 Studium an der „Académie Léger“ in Paris
MITGLIEDSCHAFTEN SAM FRANCIS
1980 Ernennung zum Mitglied der American Academy of Arts and Letters
1994 Ernennung zum Mitglied der National Academy of Design New York
AUSZEICHNUNGEN SAM FRANCIS
1969 Ehrendoktorwürde der University of California, Berkeley
1982 Commandeur de l’Ordre des Arts et des Lettres, Paris
SAMMLUNGEN SAM FRANCIS
AUSWAHL
Kunstmuseum Basel, Schweiz
Städel Museum, Frankfurt am Main
Hamburger Kunsthalle
Tate Gallery, London, Großbritannien
Museum of Contemporary Art, Los Angeles, USA
Metropolitan Museum of Modern Art, New York, USA
Museum of Modern Art, MoMA, New York, USA
Staatsgalerie Stuttgart
Peggy Guggenheim Collection, Venedig, Italien
National Gallery of Art, Washington D.C., USA
Albertina, Wien, Österreich
AUSSTELLUNGEN SAM FRANCIS
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN AUSWAHL
1956 „Twelve Americans“ im New Yorker Museum of Modern Art, MoMA New York, USA
1959 Teilnahme an der 5. Biennale von São Paulo
1959 documenta II, Kassel
1964 Teilnahme an der 32. Biennale von Venedig
1964 documenta III
WERKBESCHREIBUNG SAM FRANCIS
SCHWERPUNKTE | MEDIEN
Malerei | Gouache | Acryl | Grafik -Lithografie, Monotypie, Radierung
STIL
Abstrakten Expressionismus, Farbfeldmalerei, Tachismus, Action Painting
DEFINITION | BESCHREIBUNG | MERKMALE
Es werden häufig kraftvoll strahlende Farben über einen weißen Malgrund eingesetzt, welche die Kompositionen dynamisieren, an Explosionen oder Feuerwerke erinnern und zu schweben scheinen. Spielerisch anmutende Drippings führen zu unterschiedlich starken Rinnsalen, die auf der Leinwand ineinanderfließende Farbklekse und Farbinseln bilden und diese akzentuieren. Dabei werden Einflüsse aus der japanischen Kunst und Kalligraphie sichtbar.
STICHWORTE SAM FRANCIS
malerische Spontaneität, gesättigte Farbigkeit, lyrischer Charakter der flüssigen Farbe, minimalistisch konzentrierte Kompositionen
ZITATE SAM FRANCIS
„An increase in light gives an increase in darkness.“ | Sam Francis
„Color is born of the interpenetration of light and dark.“ | Sam Francis.
LINKS SAM FRANCIS
SAM FRANCIS
KUNSTWERKE SAM FRANCIS
Sam Francis |1923-1994 | Color Field Painting | Lyrical Abstraction | American | YouTube | Samuel Lewis Francis was an American painter and printmaker. Sam Francis was born in San Mateo, California, the son of Katherine Lewis Francis and Samuel Augustus Francis, Sr. The 1935 death of his mother, who had encouraged his interest in music affected him deeply, but he later developed a strong bond with his stepmother, Virginia Peterson Francis. Francis served in the United States Air Force during World War II before being injured during test flight maneuvers. He was in the hospital for several years, and it was while there, after being visited by artist David Park in 1945, that he began to paint. Once out of the hospital he returned to Berkeley, this time to study art. He received both his BA degree (1949) and MA degree (1950) from University of California, Berkeley, where he studied botany, medicine and psychology. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. He later became loosely associated with a second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. He spent the 1950s in Paris, having his first exhibition there at the Galerie Nina Dausset in 1952. ] While in Paris he became associated with Tachisme, and had his work championed by art critics Michel Tapié and Claude Duthuit ( the son-in-law of the painter Henri Matisse). Between 1950 and 1958 Francis spent time and painted in Paris, the south of France, Tokyo, Mexico City, Bern and New York. His artistic development was affected by his exposure to French modern painting, Asian culture and Zen Buddhism in particular. His paintings of the 1950s evolved through a series of stages, beginning with monochromatic abstractions, followed by larger richly-colored murals and "open" paintings that feature large areas of whiteness. After his 1953 painting "Big Red" was included in the 1956 exhibition "Twelve Artists" at the Museum of Modern Art, New York, Francis began a rapid rise to international prominence. Francis painted large murals for the Kunsthalle, Basel in 1956-8 and for the Chase Manhattan Bank, New York in 1959. Between 1960 and 1963 he created several series of works, including the "Blue Balls" series. Consisting of biomorphic predominantly blue forms and drips, these works referenced the pain that resulted from the renal tuberculosis that he suffered in 1961. Francis returned to California during the 1960s and continued painting, mainly in Los Angeles, but also in Tokyo where he lived primarily in 1973-4. In 1965 Francis started a series of paintings that featured large areas of open canvas, minimal color and strong line.[3] His work evolved further after he began intensive Jungian analysis with Dr. James Kirsch in 1971 and began paying careful attention to his dreams and the unconscious images they suggested. Francis‘ works of the early 1970s have been referred to as Fresh Air pictures. Created by adding pools, drips and splatters of color to wet bands of paint applied with a roller, these works re-asserted the artist’s interest in color. By 1973–4 many of Francis‘ paintings featured a formal grid or matrix made up of crossing tracks of color. Many of these matrix works were large in scale, measuring up to twenty feet long | YouTube
VIDEO | FILM SAM FRANCIS
Sam Francis | Eine Retrospektive | Bonn 1993 | YouTube | A beautiful retrospective of the work of Sam Francis in Bonn, Germany 1993 | YouTube
Sam Francis | Gallery Delaive | YouTube | Sam Francis painting in his studio in Venice | YouTube
BIOGRAFIE SAM FRANCIS
GEBURTSJAHR 1923 | GEBURTSORT San Mateo, Kalifornien, USA | TODESJAHR 1994 | STERBEORT Santa Monica, Kalifornien, USA
1957 Weltreise u.a. nach Indien, Thailand und Japan
1962 Umzug nach Santa Monica, Kalifornien
1963 Einrichtung eines Ateliers in Venice
1987 Gründung Sam Francis Medical Research Center, welches Ursachenforschung bei Krankheiten betreibt, die durch Umweltschädigungen entstehen
Sam Francis war fünfmal verheiratet
AUSBILDUNG SAM FRANCIS
1941 – 1943 Studium der Botanik, Medizin und Psychologie an der University of California in Berkeley
1948 – 1950 Studium der Kunstgeschichte und der Malerei an der University of California in Berkeley bei Mark Rothko und Clyfford Still
1948 – 1950 Studium an der „Académie Léger“ in Paris
MITGLIEDSCHAFTEN SAM FRANCIS
1980 Ernennung zum Mitglied der American Academy of Arts and Letters
1994 Ernennung zum Mitglied der National Academy of Design New York
AUSZEICHNUNGEN SAM FRANCIS
1969 Ehrendoktorwürde der University of California, Berkeley
1982 Commandeur de l’Ordre des Arts et des Lettres, Paris
SAMMLUNGEN SAM FRANCIS
AUSWAHL
Kunstmuseum Basel, Schweiz
Städel Museum, Frankfurt am Main
Hamburger Kunsthalle
Tate Gallery, London, Großbritannien
Museum of Contemporary Art, Los Angeles, USA
Metropolitan Museum of Modern Art, New York, USA
Museum of Modern Art, MoMA, New York, USA
Staatsgalerie Stuttgart
Peggy Guggenheim Collection, Venedig, Italien
National Gallery of Art, Washington D.C., USA
Albertina, Wien, Österreich
AUSSTELLUNGEN SAM FRANCIS
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN AUSWAHL
1956 „Twelve Americans“ im New Yorker Museum of Modern Art, MoMA New York, USA
1959 Teilnahme an der 5. Biennale von São Paulo
1959 documenta II, Kassel
1964 Teilnahme an der 32. Biennale von Venedig
1964 documenta III
WERKBESCHREIBUNG SAM FRANCIS
SCHWERPUNKTE | MEDIEN
Malerei | Gouache | Acryl | Grafik -Lithografie, Monotypie, Radierung
STIL
Abstrakten Expressionismus, Farbfeldmalerei, Tachismus, Action Painting
DEFINITION | BESCHREIBUNG | MERKMALE
Es werden häufig kraftvoll strahlende Farben über einen weißen Malgrund eingesetzt, welche die Kompositionen dynamisieren, an Explosionen oder Feuerwerke erinnern und zu schweben scheinen. Spielerisch anmutende Drippings führen zu unterschiedlich starken Rinnsalen, die auf der Leinwand ineinanderfließende Farbklekse und Farbinseln bilden und diese akzentuieren. Dabei werden Einflüsse aus der japanischen Kunst und Kalligraphie sichtbar.
STICHWORTE SAM FRANCIS
malerische Spontaneität, gesättigte Farbigkeit, lyrischer Charakter der flüssigen Farbe, minimalistisch konzentrierte Kompositionen
ZITATE SAM FRANCIS
„An increase in light gives an increase in darkness.“ | Sam Francis
„Color is born of the interpenetration of light and dark.“ | Sam Francis.
LINKS SAM FRANCIS
SAM FRANCIS
KUNSTWERKE SAM FRANCIS
Sam Francis |1923-1994 | Color Field Painting | Lyrical Abstraction | American | YouTube | Samuel Lewis Francis was an American painter and printmaker. Sam Francis was born in San Mateo, California, the son of Katherine Lewis Francis and Samuel Augustus Francis, Sr. The 1935 death of his mother, who had encouraged his interest in music affected him deeply, but he later developed a strong bond with his stepmother, Virginia Peterson Francis. Francis served in the United States Air Force during World War II before being injured during test flight maneuvers. He was in the hospital for several years, and it was while there, after being visited by artist David Park in 1945, that he began to paint. Once out of the hospital he returned to Berkeley, this time to study art. He received both his BA degree (1949) and MA degree (1950) from University of California, Berkeley, where he studied botany, medicine and psychology. Francis was initially influenced by the work of abstract expressionists such as Mark Rothko, Arshile Gorky and Clyfford Still. He later became loosely associated with a second generation of abstract expressionists, including Joan Mitchell and Helen Frankenthaler, who were increasingly interested in the expressive use of color. He spent the 1950s in Paris, having his first exhibition there at the Galerie Nina Dausset in 1952. ] While in Paris he became associated with Tachisme, and had his work championed by art critics Michel Tapié and Claude Duthuit ( the son-in-law of the painter Henri Matisse). Between 1950 and 1958 Francis spent time and painted in Paris, the south of France, Tokyo, Mexico City, Bern and New York. His artistic development was affected by his exposure to French modern painting, Asian culture and Zen Buddhism in particular. His paintings of the 1950s evolved through a series of stages, beginning with monochromatic abstractions, followed by larger richly-colored murals and "open" paintings that feature large areas of whiteness. After his 1953 painting "Big Red" was included in the 1956 exhibition "Twelve Artists" at the Museum of Modern Art, New York, Francis began a rapid rise to international prominence. Francis painted large murals for the Kunsthalle, Basel in 1956-8 and for the Chase Manhattan Bank, New York in 1959. Between 1960 and 1963 he created several series of works, including the "Blue Balls" series. Consisting of biomorphic predominantly blue forms and drips, these works referenced the pain that resulted from the renal tuberculosis that he suffered in 1961. Francis returned to California during the 1960s and continued painting, mainly in Los Angeles, but also in Tokyo where he lived primarily in 1973-4. In 1965 Francis started a series of paintings that featured large areas of open canvas, minimal color and strong line.[3] His work evolved further after he began intensive Jungian analysis with Dr. James Kirsch in 1971 and began paying careful attention to his dreams and the unconscious images they suggested. Francis‘ works of the early 1970s have been referred to as Fresh Air pictures. Created by adding pools, drips and splatters of color to wet bands of paint applied with a roller, these works re-asserted the artist’s interest in color. By 1973–4 many of Francis‘ paintings featured a formal grid or matrix made up of crossing tracks of color. Many of these matrix works were large in scale, measuring up to twenty feet long | YouTube
VIDEO | FILM SAM FRANCIS
Sam Francis | Eine Retrospektive | Bonn 1993 | YouTube | A beautiful retrospective of the work of Sam Francis in Bonn, Germany 1993 | YouTube
Sam Francis | Gallery Delaive | YouTube | Sam Francis painting in his studio in Venice | YouTube
BIOGRAFIE SAM FRANCIS
GEBURTSJAHR 1923 | GEBURTSORT San Mateo, Kalifornien, USA | TODESJAHR 1994 | STERBEORT Santa Monica, Kalifornien, USA
1957 Weltreise u.a. nach Indien, Thailand und Japan
1962 Umzug nach Santa Monica, Kalifornien
1963 Einrichtung eines Ateliers in Venice
1987 Gründung Sam Francis Medical Research Center, welches Ursachenforschung bei Krankheiten betreibt, die durch Umweltschädigungen entstehen
Sam Francis war fünfmal verheiratet
AUSBILDUNG SAM FRANCIS
1941 – 1943 Studium der Botanik, Medizin und Psychologie an der University of California in Berkeley
1948 – 1950 Studium der Kunstgeschichte und der Malerei an der University of California in Berkeley bei Mark Rothko und Clyfford Still
1948 – 1950 Studium an der „Académie Léger“ in Paris
MITGLIEDSCHAFTEN SAM FRANCIS
1980 Ernennung zum Mitglied der American Academy of Arts and Letters
1994 Ernennung zum Mitglied der National Academy of Design New York
AUSZEICHNUNGEN SAM FRANCIS
1969 Ehrendoktorwürde der University of California, Berkeley
1982 Commandeur de l’Ordre des Arts et des Lettres, Paris
SAMMLUNGEN SAM FRANCIS
AUSWAHL
Kunstmuseum Basel, Schweiz
Städel Museum, Frankfurt am Main
Hamburger Kunsthalle
Tate Gallery, London, Großbritannien
Museum of Contemporary Art, Los Angeles, USA
Metropolitan Museum of Modern Art, New York, USA
Museum of Modern Art, MoMA, New York, USA
Staatsgalerie Stuttgart
Peggy Guggenheim Collection, Venedig, Italien
National Gallery of Art, Washington D.C., USA
Albertina, Wien, Österreich
AUSSTELLUNGEN SAM FRANCIS
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN AUSWAHL
1956 „Twelve Americans“ im New Yorker Museum of Modern Art, MoMA New York, USA
1959 Teilnahme an der 5. Biennale von São Paulo
1959 documenta II, Kassel
1964 Teilnahme an der 32. Biennale von Venedig
1964 documenta III
WERKBESCHREIBUNG SAM FRANCIS
SCHWERPUNKTE | MEDIEN
Malerei | Gouache | Acryl | Grafik -Lithografie, Monotypie, Radierung
STIL
Abstrakten Expressionismus, Farbfeldmalerei, Tachismus, Action Painting
DEFINITION | BESCHREIBUNG | MERKMALE
Es werden häufig kraftvoll strahlende Farben über einen weißen Malgrund eingesetzt, welche die Kompositionen dynamisieren, an Explosionen oder Feuerwerke erinnern und zu schweben scheinen. Spielerisch anmutende Drippings führen zu unterschiedlich starken Rinnsalen, die auf der Leinwand ineinanderfließende Farbklekse und Farbinseln bilden und diese akzentuieren. Dabei werden Einflüsse aus der japanischen Kunst und Kalligraphie sichtbar.
STICHWORTE SAM FRANCIS
malerische Spontaneität, gesättigte Farbigkeit, lyrischer Charakter der flüssigen Farbe, minimalistisch konzentrierte Kompositionen
ZITATE SAM FRANCIS
„An increase in light gives an increase in darkness.“ | Sam Francis
„Color is born of the interpenetration of light and dark.“ | Sam Francis.