GCB Kunstlexikon
NAN GOLDIN
Beitrag in Bearbeitung!
KUNSTWERKE NAN GOLDIN
KUNSTWERKE NAN GOLDIN
Nan Goldin / The Renewal of Contemporary Photography
CollDocumentary – YouTube
Contacts : the world’s greatest photographers reveal the secrets behind their images. Volume 2, The renewal of contemporary photography A collection of films examining eleven contemporary photographers–their work, their points-of-view, their secrets of creation. Creators: William Klein Arte Video ; [S.l.] : Distribution, Columbia Tristar Home Video, 2005, 2000.
VIDEO | FILM NAN GOLDIN
Nan Goldin – ‚My Work Comes from Empathy and Love‘
TateShots – YouTube
‚My work has always come from empathy and love‘, says American photographer Nan Goldin. Goldin began taking photographs as a teenager in Boston, Massachusetts. Her earliest works, black-and-white images of drag queens, were celebrations of the subcultural lifestyle of the community to which she belonged and which she continued to document throughout the 1990s. During this period Goldin also began making images of friends who were dying of AIDS and recorded her experiences travelling in Asia. In this interview, Goldin introduces her latest book, Eden and After; a collection of portraits she has taken of children – one of the artist’s ongoing photographic subjects. The book includes portraits of Goldin’s close friends‘ children, with moments captured from pregnancy through to teenage years of life, and provides an intimate investigation into the narrative of childhood.
Nan Goldin speaking about „The Ballad of Sexual Dependency“ MOCA
YouTube
Mixing an in-depth interview with slides of her career-defining work, this video presents the strategies and stakes of Nan Goldin’s The Ballad of Sexual Dependency: „I didn’t care about good photography, I cared about complete honesty,“ Goldin says. Certainly, from its elastic life as slideshow series exhibited across the globe, to its structured legacy as a photo book and collection of prints, The Ballad of Sexual Dependency underscores the camera’s documentary function, offering not just enthralling compositions but proof of experience. Creating intimacy with rather than distance from her subjects, Goldin sought to „to show exactly what it was,“ whether that it was her friends, housemates, lovers, or the plague of AIDS that hit her community. Discussing Larry Clark’s influence on her „saturated vision,“ the dueling desires for intimacy and autonomy that haunt human relationships, Goldin re-orients the dominant perspective on this vital work, setting the record crooked: „We were never marginalized. We were the world.“ Directed by Emma Reeves Shot by Eric Teti Sound by Max Cooke Edited by Tom Salvaggio Make-up by Maud Laceppe at Streeters Agency Thanks to Neal Franc © MOCAtv Comprising almost 700 snapshot-like portraits sequenced against an evocative music soundtrack, Nan Goldin’s The Ballad of Sexual Dependency is a deeply personal narrative, formed out of the artist’s own experiences around Boston, New York, Berlin, and elsewhere in the late 1970s, 1980s, and beyond. Titled after a song in Bertolt Brecht and Kurt Weill’s The Threepenny Opera, Goldin’s Ballad is itself a kind of downtown opera; its protagonists—including the artist herself—are captured in intimate moments of love and loss. They experience ecstasy and pain through sex and drug use; they revel at dance clubs and bond with their children at home, and they suffer from domestic violence and the ravages of AIDS. “The Ballad of Sexual Dependency is the diary I let people read,” Goldin wrote. “The diary is my form of control over my life. It allows me to obsessively record every detail. It enables me to remember.” The Ballad developed through multiple improvised live performances, for which Goldin ran through the slides by hand and friends helped prepare the soundtrack—from Maria Callas to The Velvet Underground—for an audience not unlike the subjects of the pictures. The Ballad is presented in its original 35mm format, along with photographs that also appear as images in the slideshow. Introducing the installation is a selection of materials from the artist’s archive, including posters and flyers announcing early iterations of The Ballad.
BIOGRAFIE NAN GOLDIN
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG NAN GOLDIN
LEHRTÄTIGKEIT NAN GOLDIN
MITGLIEDSCHAFTEN NAN GOLDIN
AUSZEICHNUNGEN NAN GOLDIN
SAMMLUNGEN NAN GOLDIN
AUSSTELLUNGEN NAN GOLDIN
EINZELAUSSTELLUNGEN
GRUPPENAUSSTELLUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG NAN GOLDIN
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE NAN GOLDIN
ZITATE NAN GOLDIN
TEXT | BIBLIOGRAPHIE NAN GOLDIN
LINKS NAN GOLDIN
HOMEPAGE NAN GOLDIN
NAN GOLDIN
Beitrag in Bearbeitung!
KUNSTWERKE NAN GOLDIN
KUNSTWERKE NAN GOLDIN
Nan Goldin / The Renewal of Contemporary Photography
CollDocumentary – YouTube
Contacts : the world’s greatest photographers reveal the secrets behind their images. Volume 2, The renewal of contemporary photography A collection of films examining eleven contemporary photographers–their work, their points-of-view, their secrets of creation. Creators: William Klein Arte Video ; [S.l.] : Distribution, Columbia Tristar Home Video, 2005, 2000.
VIDEO | FILM NAN GOLDIN
Nan Goldin – ‚My Work Comes from Empathy and Love‘
TateShots – YouTube
‚My work has always come from empathy and love‘, says American photographer Nan Goldin. Goldin began taking photographs as a teenager in Boston, Massachusetts. Her earliest works, black-and-white images of drag queens, were celebrations of the subcultural lifestyle of the community to which she belonged and which she continued to document throughout the 1990s. During this period Goldin also began making images of friends who were dying of AIDS and recorded her experiences travelling in Asia. In this interview, Goldin introduces her latest book, Eden and After; a collection of portraits she has taken of children – one of the artist’s ongoing photographic subjects. The book includes portraits of Goldin’s close friends‘ children, with moments captured from pregnancy through to teenage years of life, and provides an intimate investigation into the narrative of childhood.
Nan Goldin speaking about „The Ballad of Sexual Dependency“ MOCA
YouTube
Mixing an in-depth interview with slides of her career-defining work, this video presents the strategies and stakes of Nan Goldin’s The Ballad of Sexual Dependency: „I didn’t care about good photography, I cared about complete honesty,“ Goldin says. Certainly, from its elastic life as slideshow series exhibited across the globe, to its structured legacy as a photo book and collection of prints, The Ballad of Sexual Dependency underscores the camera’s documentary function, offering not just enthralling compositions but proof of experience. Creating intimacy with rather than distance from her subjects, Goldin sought to „to show exactly what it was,“ whether that it was her friends, housemates, lovers, or the plague of AIDS that hit her community. Discussing Larry Clark’s influence on her „saturated vision,“ the dueling desires for intimacy and autonomy that haunt human relationships, Goldin re-orients the dominant perspective on this vital work, setting the record crooked: „We were never marginalized. We were the world.“ Directed by Emma Reeves Shot by Eric Teti Sound by Max Cooke Edited by Tom Salvaggio Make-up by Maud Laceppe at Streeters Agency Thanks to Neal Franc © MOCAtv Comprising almost 700 snapshot-like portraits sequenced against an evocative music soundtrack, Nan Goldin’s The Ballad of Sexual Dependency is a deeply personal narrative, formed out of the artist’s own experiences around Boston, New York, Berlin, and elsewhere in the late 1970s, 1980s, and beyond. Titled after a song in Bertolt Brecht and Kurt Weill’s The Threepenny Opera, Goldin’s Ballad is itself a kind of downtown opera; its protagonists—including the artist herself—are captured in intimate moments of love and loss. They experience ecstasy and pain through sex and drug use; they revel at dance clubs and bond with their children at home, and they suffer from domestic violence and the ravages of AIDS. “The Ballad of Sexual Dependency is the diary I let people read,” Goldin wrote. “The diary is my form of control over my life. It allows me to obsessively record every detail. It enables me to remember.” The Ballad developed through multiple improvised live performances, for which Goldin ran through the slides by hand and friends helped prepare the soundtrack—from Maria Callas to The Velvet Underground—for an audience not unlike the subjects of the pictures. The Ballad is presented in its original 35mm format, along with photographs that also appear as images in the slideshow. Introducing the installation is a selection of materials from the artist’s archive, including posters and flyers announcing early iterations of The Ballad.
BIOGRAFIE NAN GOLDIN
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG NAN GOLDIN
LEHRTÄTIGKEIT NAN GOLDIN
MITGLIEDSCHAFTEN NAN GOLDIN
AUSZEICHNUNGEN NAN GOLDIN
SAMMLUNGEN NAN GOLDIN
AUSSTELLUNGEN NAN GOLDIN
EINZELAUSSTELLUNGEN
GRUPPENAUSSTELLUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG NAN GOLDIN
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE NAN GOLDIN
ZITATE NAN GOLDIN
TEXT | BIBLIOGRAPHIE NAN GOLDIN
LINKS NAN GOLDIN
HOMEPAGE NAN GOLDIN
NAN GOLDIN
Beitrag in Bearbeitung!
KUNSTWERKE NAN GOLDIN
KUNSTWERKE NAN GOLDIN
Nan Goldin / The Renewal of Contemporary Photography
CollDocumentary – YouTube
Contacts : the world’s greatest photographers reveal the secrets behind their images. Volume 2, The renewal of contemporary photography A collection of films examining eleven contemporary photographers–their work, their points-of-view, their secrets of creation. Creators: William Klein Arte Video ; [S.l.] : Distribution, Columbia Tristar Home Video, 2005, 2000.
VIDEO | FILM NAN GOLDIN
Nan Goldin – ‚My Work Comes from Empathy and Love‘
TateShots – YouTube
‚My work has always come from empathy and love‘, says American photographer Nan Goldin. Goldin began taking photographs as a teenager in Boston, Massachusetts. Her earliest works, black-and-white images of drag queens, were celebrations of the subcultural lifestyle of the community to which she belonged and which she continued to document throughout the 1990s. During this period Goldin also began making images of friends who were dying of AIDS and recorded her experiences travelling in Asia. In this interview, Goldin introduces her latest book, Eden and After; a collection of portraits she has taken of children – one of the artist’s ongoing photographic subjects. The book includes portraits of Goldin’s close friends‘ children, with moments captured from pregnancy through to teenage years of life, and provides an intimate investigation into the narrative of childhood.
Nan Goldin speaking about „The Ballad of Sexual Dependency“ MOCA
YouTube
Mixing an in-depth interview with slides of her career-defining work, this video presents the strategies and stakes of Nan Goldin’s The Ballad of Sexual Dependency: „I didn’t care about good photography, I cared about complete honesty,“ Goldin says. Certainly, from its elastic life as slideshow series exhibited across the globe, to its structured legacy as a photo book and collection of prints, The Ballad of Sexual Dependency underscores the camera’s documentary function, offering not just enthralling compositions but proof of experience. Creating intimacy with rather than distance from her subjects, Goldin sought to „to show exactly what it was,“ whether that it was her friends, housemates, lovers, or the plague of AIDS that hit her community. Discussing Larry Clark’s influence on her „saturated vision,“ the dueling desires for intimacy and autonomy that haunt human relationships, Goldin re-orients the dominant perspective on this vital work, setting the record crooked: „We were never marginalized. We were the world.“ Directed by Emma Reeves Shot by Eric Teti Sound by Max Cooke Edited by Tom Salvaggio Make-up by Maud Laceppe at Streeters Agency Thanks to Neal Franc © MOCAtv Comprising almost 700 snapshot-like portraits sequenced against an evocative music soundtrack, Nan Goldin’s The Ballad of Sexual Dependency is a deeply personal narrative, formed out of the artist’s own experiences around Boston, New York, Berlin, and elsewhere in the late 1970s, 1980s, and beyond. Titled after a song in Bertolt Brecht and Kurt Weill’s The Threepenny Opera, Goldin’s Ballad is itself a kind of downtown opera; its protagonists—including the artist herself—are captured in intimate moments of love and loss. They experience ecstasy and pain through sex and drug use; they revel at dance clubs and bond with their children at home, and they suffer from domestic violence and the ravages of AIDS. “The Ballad of Sexual Dependency is the diary I let people read,” Goldin wrote. “The diary is my form of control over my life. It allows me to obsessively record every detail. It enables me to remember.” The Ballad developed through multiple improvised live performances, for which Goldin ran through the slides by hand and friends helped prepare the soundtrack—from Maria Callas to The Velvet Underground—for an audience not unlike the subjects of the pictures. The Ballad is presented in its original 35mm format, along with photographs that also appear as images in the slideshow. Introducing the installation is a selection of materials from the artist’s archive, including posters and flyers announcing early iterations of The Ballad.
BIOGRAFIE NAN GOLDIN
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG NAN GOLDIN
LEHRTÄTIGKEIT NAN GOLDIN
MITGLIEDSCHAFTEN NAN GOLDIN
AUSZEICHNUNGEN NAN GOLDIN
SAMMLUNGEN NAN GOLDIN
AUSSTELLUNGEN NAN GOLDIN
EINZELAUSSTELLUNGEN
GRUPPENAUSSTELLUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG NAN GOLDIN
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE NAN GOLDIN
ZITATE NAN GOLDIN
TEXT | BIBLIOGRAPHIE NAN GOLDIN
LINKS NAN GOLDIN
HOMEPAGE NAN GOLDIN
