GCB Kunstlexikon
HANNAH HÖCH
Beitrag in Bearbeitung!
KUNSTWERKE HANNAH HÖCH
Hannah Höch | Cut with the Kitchen Knife—Dada and political chaos | Berlin in 1919 | Smarthistory | Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany | photomontage | 114 × 90 cm | Staatliche Museen Berlin | please note, this is a refreshed Smarthistory video | A conversation with Dr. Juliana Kreinik, Dr. Steven Zucker, and Dr. Beth Harris | YouTube
Hannah Höch | artpopulus | Hannah Höch (November 1, 1889 May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. She was born Johanne Höch in Gotha, Germany. From 1912 to 1914 she studied at the College of Arts and Crafts in Berlin under the guidance of Harold Bergen. She studied glass design and graphic arts, rather than fine arts, to please her father. She worked for the Red Cross in 1914, at the start of World War I. In 1915 she entered the graph class of the National Institute of the Museum of Arts and Crafts. Also in 1915, Höch began an influential friendship with Raoul Hausmann, a member of the Berlin Dada movement. Höch’s involvement with the Berlin Dadists began in earnest in 1919. After her schooling, she worked in the handicrafts department for Ullstein Verlang. The influence of this early work and training can clearly be seen in her later work involving references to dress patterns and textiles. From 1926 to 1929 she lived and worked in the Netherlands. Höch made more influential friendships over the years, with Kurt Schwitters and Piet Mondrian among others. Hausmann, along with Höch, was one of the first pioneers of the artform that would come to be known as photomontage. Höch’s sexuality and relationship with Hausmann Höch’s personal relationship with Hausmann grew from friendship to romance over time. While this was the first crucial relationship to have an influence on Höch’s artistic work, she often reflected upon her relationships in such pieces as Love (1926). After her involvement with Hausmann, she was sexually involved with women and had a relationship from 1926 to 1929 with the Dutch writer and linguist Til Brugman. Hausmann was married to another woman during their involvement, and refused to marry Höch. She supported women’s right to reproductive control; she had two abortions during her involvement with Hausmann. Hausmann was physically abusive. Höch and Hausmann separated in 1922, at which point Höch was well on her way to becoming an artist in her own right, independent of her involvement with Hausmann. Incidentally, it was during Höch’s relationship with Hausmann that both artists began to work more thoroughly with collage, extending the artform firstly applied by cubistic painters. There is evidence that she collaborated with Hausmann, although she was considered[who?] his lover and not his equal | YouTube
VIDEO | FILM HANNAH HÖCH
Introduction to Hannah Höch | Whitechapel Gallery | Eisler Curator and Head of Curatorial Studies, Daniel F. Herrmann, introduces Hannah Höch at the Whitechapel Gallery | YouTube
BIOGRAFIE HANNAH HÖCH
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG HANNAH HÖCH
LEHRTÄTIGKEIT HANNAH HÖCH
MITGLIEDSCHAFTEN HANNAH HÖCH
AUSZEICHNUNGEN HANNAH HÖCH
SAMMLUNGEN HANNAH HÖCH
AUSSTELLUNGEN HANNAH HÖCH
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG HANNAH HÖCH
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE HANNAH HÖCH
ZITATE HANNAH HÖCH
TEXT | BIBLIOGRAPHIE HANNAH HÖCH
LINKS HANNAH HÖCH
HOMEPAGE HANNAH HÖCH
HANNAH HÖCH
Beitrag in Bearbeitung!
KUNSTWERKE HANNAH HÖCH
Hannah Höch | Cut with the Kitchen Knife—Dada and political chaos | Berlin in 1919 | Smarthistory | Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany | photomontage | 114 × 90 cm | Staatliche Museen Berlin | please note, this is a refreshed Smarthistory video | A conversation with Dr. Juliana Kreinik, Dr. Steven Zucker, and Dr. Beth Harris | YouTube
Hannah Höch | artpopulus | Hannah Höch (November 1, 1889 May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. She was born Johanne Höch in Gotha, Germany. From 1912 to 1914 she studied at the College of Arts and Crafts in Berlin under the guidance of Harold Bergen. She studied glass design and graphic arts, rather than fine arts, to please her father. She worked for the Red Cross in 1914, at the start of World War I. In 1915 she entered the graph class of the National Institute of the Museum of Arts and Crafts. Also in 1915, Höch began an influential friendship with Raoul Hausmann, a member of the Berlin Dada movement. Höch’s involvement with the Berlin Dadists began in earnest in 1919. After her schooling, she worked in the handicrafts department for Ullstein Verlang. The influence of this early work and training can clearly be seen in her later work involving references to dress patterns and textiles. From 1926 to 1929 she lived and worked in the Netherlands. Höch made more influential friendships over the years, with Kurt Schwitters and Piet Mondrian among others. Hausmann, along with Höch, was one of the first pioneers of the artform that would come to be known as photomontage. Höch’s sexuality and relationship with Hausmann Höch’s personal relationship with Hausmann grew from friendship to romance over time. While this was the first crucial relationship to have an influence on Höch’s artistic work, she often reflected upon her relationships in such pieces as Love (1926). After her involvement with Hausmann, she was sexually involved with women and had a relationship from 1926 to 1929 with the Dutch writer and linguist Til Brugman. Hausmann was married to another woman during their involvement, and refused to marry Höch. She supported women’s right to reproductive control; she had two abortions during her involvement with Hausmann. Hausmann was physically abusive. Höch and Hausmann separated in 1922, at which point Höch was well on her way to becoming an artist in her own right, independent of her involvement with Hausmann. Incidentally, it was during Höch’s relationship with Hausmann that both artists began to work more thoroughly with collage, extending the artform firstly applied by cubistic painters. There is evidence that she collaborated with Hausmann, although she was considered[who?] his lover and not his equal | YouTube
VIDEO | FILM HANNAH HÖCH
Introduction to Hannah Höch | Whitechapel Gallery | Eisler Curator and Head of Curatorial Studies, Daniel F. Herrmann, introduces Hannah Höch at the Whitechapel Gallery | YouTube
BIOGRAFIE HANNAH HÖCH
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG HANNAH HÖCH
LEHRTÄTIGKEIT HANNAH HÖCH
MITGLIEDSCHAFTEN HANNAH HÖCH
AUSZEICHNUNGEN HANNAH HÖCH
SAMMLUNGEN HANNAH HÖCH
AUSSTELLUNGEN HANNAH HÖCH
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG HANNAH HÖCH
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE HANNAH HÖCH
ZITATE HANNAH HÖCH
TEXT | BIBLIOGRAPHIE HANNAH HÖCH
LINKS HANNAH HÖCH
HOMEPAGE HANNAH HÖCH
HANNAH HÖCH
Beitrag in Bearbeitung!
KUNSTWERKE HANNAH HÖCH
Hannah Höch | Cut with the Kitchen Knife—Dada and political chaos | Berlin in 1919 | Smarthistory | Cut with the Kitchen Knife Dada through the Last Weimar Beer-Belly Cultural Epoch in Germany | photomontage | 114 × 90 cm | Staatliche Museen Berlin | please note, this is a refreshed Smarthistory video | A conversation with Dr. Juliana Kreinik, Dr. Steven Zucker, and Dr. Beth Harris | YouTube
Hannah Höch | artpopulus | Hannah Höch (November 1, 1889 May 31, 1978) was a German Dada artist. She is best known for her work of the Weimar period, when she was one of the originators of photomontage. She was born Johanne Höch in Gotha, Germany. From 1912 to 1914 she studied at the College of Arts and Crafts in Berlin under the guidance of Harold Bergen. She studied glass design and graphic arts, rather than fine arts, to please her father. She worked for the Red Cross in 1914, at the start of World War I. In 1915 she entered the graph class of the National Institute of the Museum of Arts and Crafts. Also in 1915, Höch began an influential friendship with Raoul Hausmann, a member of the Berlin Dada movement. Höch’s involvement with the Berlin Dadists began in earnest in 1919. After her schooling, she worked in the handicrafts department for Ullstein Verlang. The influence of this early work and training can clearly be seen in her later work involving references to dress patterns and textiles. From 1926 to 1929 she lived and worked in the Netherlands. Höch made more influential friendships over the years, with Kurt Schwitters and Piet Mondrian among others. Hausmann, along with Höch, was one of the first pioneers of the artform that would come to be known as photomontage. Höch’s sexuality and relationship with Hausmann Höch’s personal relationship with Hausmann grew from friendship to romance over time. While this was the first crucial relationship to have an influence on Höch’s artistic work, she often reflected upon her relationships in such pieces as Love (1926). After her involvement with Hausmann, she was sexually involved with women and had a relationship from 1926 to 1929 with the Dutch writer and linguist Til Brugman. Hausmann was married to another woman during their involvement, and refused to marry Höch. She supported women’s right to reproductive control; she had two abortions during her involvement with Hausmann. Hausmann was physically abusive. Höch and Hausmann separated in 1922, at which point Höch was well on her way to becoming an artist in her own right, independent of her involvement with Hausmann. Incidentally, it was during Höch’s relationship with Hausmann that both artists began to work more thoroughly with collage, extending the artform firstly applied by cubistic painters. There is evidence that she collaborated with Hausmann, although she was considered[who?] his lover and not his equal | YouTube
VIDEO | FILM HANNAH HÖCH
Introduction to Hannah Höch | Whitechapel Gallery | Eisler Curator and Head of Curatorial Studies, Daniel F. Herrmann, introduces Hannah Höch at the Whitechapel Gallery | YouTube
BIOGRAFIE HANNAH HÖCH
GEBURTSJAHR | GEBURTSORT | TODESJAHR | STERBEORT
AUSBILDUNG HANNAH HÖCH
LEHRTÄTIGKEIT HANNAH HÖCH
MITGLIEDSCHAFTEN HANNAH HÖCH
AUSZEICHNUNGEN HANNAH HÖCH
SAMMLUNGEN HANNAH HÖCH
AUSSTELLUNGEN HANNAH HÖCH
EINZELAUSSTELLUNGEN
AUSSTELLUNGSBETEILIGUNGEN
PROJEKTE | SYMPOSIEN
WERKBESCHREIBUNG HANNAH HÖCH
SCHWERPUNKTE | MEDIEN
STIL
THEMEN | MOTIVE | WERKE
DEFINITION | BESCHREIBUNG | MERKMALE
STICHWORTE HANNAH HÖCH
ZITATE HANNAH HÖCH
TEXT | BIBLIOGRAPHIE HANNAH HÖCH
LINKS HANNAH HÖCH
HOMEPAGE HANNAH HÖCH
