GCB Kunstlexikon
KATSUSHIKA HOKUSAI
KUNSTWERKE
Better Know the Great Wave | The Art Assignment | PBS Digital Studios
It’s an omnipresent image that has inspired music, tattoos, and even an emoji on your phone. But Hokusai’s Great Wave is a woodblock print that was made to be reproduced. What’s its story? Let’s better know the Great Wave | YouTube
Katsushika Hokusai | A collection of 1145 works | LearnFromMasters |
Description: „Born to an artisan family, Hokusai was apprenticed to a woodblock engraver at a young age. By the time he was 19, the leading ukiyoe master, Katsukawa Shunshō, had taken him on as a pupil and Hokusai was more-or-less formally introduced to artistic society at age 20. Once he began receiving paying commissions there was no turning back, and he’d parted ways with the Katsukawa school by 1795. Until he died, however, he never ceased learning all he could about art from ukiyoe (and other) masters. Early on in this quest for knowledge, Hokusai was exposed to Western art and quickly picked up (traditionally non-Japanese) artistic techniques such as one-point perspective. It’s hard to describe the tremendous impact this chance encounter had on Art History from there on out. It led Hokusai to an entirely new style of ukiyoe that continues to echo in Japanese art to this day. And, unbeknownst to Hokusai, his new style would travel back to Western art and directly influence its future. Over the course of his long life, Hokusai continued to operate with a restless, incessant thirst for creation. Though he was frequently (and rather proudly) broke, he never turned down a job, whether it was for a distinguished publisher or a brothel. He changed his residence over 90 times, marketed himself with pure genius, enjoyed fame in his own lifetime and painted until he died at a ripe old age. Conservative estimates mark his total output at an astounding 30,000 pieces. These days, many people – readers and employed artists, alike – owe him a debt of gratitude for originating manga as an art form. We also often tend to think of him as a (if not the) „classic“ Japanese artist – a tendency that needs to be re-examined. In his time, Hokusai’s art was radically different and very un-Japanese. It’s just one of those weird twists of fate that the French Impressionists (and beyond) mistakenly believed Hokusai’s original style represented all of Japanese art.“ | Music | Kevin MacLeod | Eastminster Eastminster by Kevin MacLeod is licensed under a Creative Commons Attribution license |
YouTube
VIDEO / FILM
Besuch bei Hokusai | „Die große Welle vor Kanagawa“ des Japaners Hokusai (1760-1849) zählt zu den berühmtesten Holzschnitten. Der Künstler gilt auch als erster Mangaka der Geschichte. Im Pariser Grand Palais sind noch bis Januar 2015 etwa 500 seiner Werke zu sehen. Die Dokumentation zeigt den japanischen Blick auf Hokusais Werk, indem er japanische Kunstkenner und Sammler zu Wort kommen lässt | YouTube
Hokusai | The End of an Era | Museum of Fine Arts | Boston | Hokusai died in 1849, just four years before the opening of Japanese ports to the West dramatically altered Japanese culture. See how Hokusai’s art perspicaciously hinted of things to come, including a fascination with technology, curiosity about the outside world, and growing sense of Japan as a nation | Sarah Thompson, assistant curator, Japanese Prints; curator, “Hokusai” | YouTube
The Eye of Hokusai | 2014 documentary about the life and work of legendary 18th/19th century Japanese painter and print-maker Katsushika Hokusai | YouTube
WIKIPEDIA
https://de.wikipedia.org/wiki/Katsushika_Hokusai
KATSUSHIKA HOKUSAI
KUNSTWERKE
Better Know the Great Wave | The Art Assignment | PBS Digital Studios
It’s an omnipresent image that has inspired music, tattoos, and even an emoji on your phone. But Hokusai’s Great Wave is a woodblock print that was made to be reproduced. What’s its story? Let’s better know the Great Wave | YouTube
Katsushika Hokusai | A collection of 1145 works | LearnFromMasters |
Description: „Born to an artisan family, Hokusai was apprenticed to a woodblock engraver at a young age. By the time he was 19, the leading ukiyoe master, Katsukawa Shunshō, had taken him on as a pupil and Hokusai was more-or-less formally introduced to artistic society at age 20. Once he began receiving paying commissions there was no turning back, and he’d parted ways with the Katsukawa school by 1795. Until he died, however, he never ceased learning all he could about art from ukiyoe (and other) masters. Early on in this quest for knowledge, Hokusai was exposed to Western art and quickly picked up (traditionally non-Japanese) artistic techniques such as one-point perspective. It’s hard to describe the tremendous impact this chance encounter had on Art History from there on out. It led Hokusai to an entirely new style of ukiyoe that continues to echo in Japanese art to this day. And, unbeknownst to Hokusai, his new style would travel back to Western art and directly influence its future. Over the course of his long life, Hokusai continued to operate with a restless, incessant thirst for creation. Though he was frequently (and rather proudly) broke, he never turned down a job, whether it was for a distinguished publisher or a brothel. He changed his residence over 90 times, marketed himself with pure genius, enjoyed fame in his own lifetime and painted until he died at a ripe old age. Conservative estimates mark his total output at an astounding 30,000 pieces. These days, many people – readers and employed artists, alike – owe him a debt of gratitude for originating manga as an art form. We also often tend to think of him as a (if not the) „classic“ Japanese artist – a tendency that needs to be re-examined. In his time, Hokusai’s art was radically different and very un-Japanese. It’s just one of those weird twists of fate that the French Impressionists (and beyond) mistakenly believed Hokusai’s original style represented all of Japanese art.“ | Music | Kevin MacLeod | Eastminster Eastminster by Kevin MacLeod is licensed under a Creative Commons Attribution license |
YouTube
VIDEO / FILM
Besuch bei Hokusai | „Die große Welle vor Kanagawa“ des Japaners Hokusai (1760-1849) zählt zu den berühmtesten Holzschnitten. Der Künstler gilt auch als erster Mangaka der Geschichte. Im Pariser Grand Palais sind noch bis Januar 2015 etwa 500 seiner Werke zu sehen. Die Dokumentation zeigt den japanischen Blick auf Hokusais Werk, indem er japanische Kunstkenner und Sammler zu Wort kommen lässt | YouTube
Hokusai | The End of an Era | Museum of Fine Arts | Boston | Hokusai died in 1849, just four years before the opening of Japanese ports to the West dramatically altered Japanese culture. See how Hokusai’s art perspicaciously hinted of things to come, including a fascination with technology, curiosity about the outside world, and growing sense of Japan as a nation | Sarah Thompson, assistant curator, Japanese Prints; curator, “Hokusai” | YouTube
The Eye of Hokusai | 2014 documentary about the life and work of legendary 18th/19th century Japanese painter and print-maker Katsushika Hokusai | YouTube
WIKIPEDIA
https://de.wikipedia.org/wiki/Katsushika_Hokusai
KATSUSHIKA HOKUSAI
KUNSTWERKE
Better Know the Great Wave | The Art Assignment | PBS Digital Studios
It’s an omnipresent image that has inspired music, tattoos, and even an emoji on your phone. But Hokusai’s Great Wave is a woodblock print that was made to be reproduced. What’s its story? Let’s better know the Great Wave | YouTube
Katsushika Hokusai | A collection of 1145 works | LearnFromMasters |
Description: „Born to an artisan family, Hokusai was apprenticed to a woodblock engraver at a young age. By the time he was 19, the leading ukiyoe master, Katsukawa Shunshō, had taken him on as a pupil and Hokusai was more-or-less formally introduced to artistic society at age 20. Once he began receiving paying commissions there was no turning back, and he’d parted ways with the Katsukawa school by 1795. Until he died, however, he never ceased learning all he could about art from ukiyoe (and other) masters. Early on in this quest for knowledge, Hokusai was exposed to Western art and quickly picked up (traditionally non-Japanese) artistic techniques such as one-point perspective. It’s hard to describe the tremendous impact this chance encounter had on Art History from there on out. It led Hokusai to an entirely new style of ukiyoe that continues to echo in Japanese art to this day. And, unbeknownst to Hokusai, his new style would travel back to Western art and directly influence its future. Over the course of his long life, Hokusai continued to operate with a restless, incessant thirst for creation. Though he was frequently (and rather proudly) broke, he never turned down a job, whether it was for a distinguished publisher or a brothel. He changed his residence over 90 times, marketed himself with pure genius, enjoyed fame in his own lifetime and painted until he died at a ripe old age. Conservative estimates mark his total output at an astounding 30,000 pieces. These days, many people – readers and employed artists, alike – owe him a debt of gratitude for originating manga as an art form. We also often tend to think of him as a (if not the) „classic“ Japanese artist – a tendency that needs to be re-examined. In his time, Hokusai’s art was radically different and very un-Japanese. It’s just one of those weird twists of fate that the French Impressionists (and beyond) mistakenly believed Hokusai’s original style represented all of Japanese art.“ | Music | Kevin MacLeod | Eastminster Eastminster by Kevin MacLeod is licensed under a Creative Commons Attribution license |
YouTube
VIDEO / FILM
Besuch bei Hokusai | „Die große Welle vor Kanagawa“ des Japaners Hokusai (1760-1849) zählt zu den berühmtesten Holzschnitten. Der Künstler gilt auch als erster Mangaka der Geschichte. Im Pariser Grand Palais sind noch bis Januar 2015 etwa 500 seiner Werke zu sehen. Die Dokumentation zeigt den japanischen Blick auf Hokusais Werk, indem er japanische Kunstkenner und Sammler zu Wort kommen lässt | YouTube
Hokusai | The End of an Era | Museum of Fine Arts | Boston | Hokusai died in 1849, just four years before the opening of Japanese ports to the West dramatically altered Japanese culture. See how Hokusai’s art perspicaciously hinted of things to come, including a fascination with technology, curiosity about the outside world, and growing sense of Japan as a nation | Sarah Thompson, assistant curator, Japanese Prints; curator, “Hokusai” | YouTube
The Eye of Hokusai | 2014 documentary about the life and work of legendary 18th/19th century Japanese painter and print-maker Katsushika Hokusai | YouTube
WIKIPEDIA
https://de.wikipedia.org/wiki/Katsushika_Hokusai
